Anthems of Apocalypse: Popular Music and Apocalyptic Thought, edited by Christopher Partridge
نویسندگان
چکیده
منابع مشابه
Popular Music Retrieval by Independent Component Analysis
2. OUR APPROACH In published literature, usually, acoustic input singing or humming is pitch-tracked and segmented into notes or converted into three or five level melody contour, melody contour is also extracted from music in database, our approach (Figure 1) does not try to segment notes at all, we employ statistic model to extract singing from popular music, user’s input singing and extracte...
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It was in his Quartet for the End of Time that Olivier Messiaen began a life-long process of discovery, not only into his inner world of colour but, also, into a sound world which eliminated conventional notions of musical time. He regarded himself as a composer and rhythmatician and the task he set himself, in his Quartet, was to produce a rhythmic system that could emulate the patterns of nat...
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The intentionally ambiguous expression “Popular Music Browser” reflects the two main goals of this project, which started in 1998, at Sony CSL laboratory. First, we are interested in human-centered issues related to browsing “Popular Music”. Popular here means that the music accessed to is widely distributed, and known to many listeners. Second, we consider “popular browsing” of music, i.e. mak...
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Human composers have used formal rules for centuries to compose music, and an algorithmic composer – composing without the aid of human intervention – can be seen as an extension of this technique. An algorithmic composer of popular music (a computer program) has been created with the aim to get a better understanding of how the composition process can be formalized and at the same time to get ...
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ژورنال
عنوان ژورنال: Relegere: Studies in Religion and Reception
سال: 2013
ISSN: 1179-7231
DOI: 10.11157/rsrr3-1-601